Fused Glass Cabochon Pendants Made With Glass Frit -- And A Glass Tutorial

I've loved making heart pendants with my glass molds and purchased a few other molds in different shapes. I have teardrop and trapezoid molds on order and I also have a circle design. The simple cabochon might seem like a very basic shape, but you can do a lot with a circle! After all, our entire solar system -- and beyond -- is made of circular and spherical objects.

So far, I've made two round pieces: my Sunrise Pendant and my Planet Pendant. I created these color combinations simply by arranging and fusing glass frit in a design. For the Sunrise pendant, I went with typical early-morning colors: red, orange, pink and yellow. I suppose this works as a sunset, as well, but I think of evening colors and being more red, pink and orange. That yellow adds brightness to the pendant and gives it more of a "morning" feeling.

For the Planet Pendant, I simply combined blue, green and white glass so it looks like a continent surrounded by water and ice caps. It's not quite Earth, but similar. I've named it "Naomius" because why not?

I'd love to try making a Jupiter-like pendant with stripes or even a wire wrapped Saturn pendant. My friend Judith suggested that I make a cabochon to represent each planet in our solar system and then put them together in a mosaic or shadow box, but that seems a bit too 7th grade science fair project to me. Jon likes her idea, though, so maybe they're on to something.

In other news, I did something today that I haven't done in YEARS. I wrote an article for HubPages. For a while, I wrote for them almost every day -- especially after I left the magazine -- but it was a lot of work. Eventually jewelry and life took over and I had less time. It's a great way to get one's name out, though, and is another way to advertise my business. So I put together a tutorial on making basic fused glass pendants with a microwave kiln. I go into pretty thorough detail on the types of glass you can use, and how you can best use the microwave for this project. I also have photos of my work. I've included links back to my various sites, which helps me, but at the same time, I hope my tutorial can encourages others to take up glass fusion. It's a win-win! You can see it here at HubPages.

If you're not interested in making your own glass jewelry or art, please check out my page. Naomi's Designs. I'm constantly updating that, as well as this blog, so be sure to stop by often!

Creating multilayered fused glass dichroic pendants with patterned and clear glass

I've written several posts about my attempts to make multilayered dichroic glass pieces. Many of these attempts have failed because the glass broke or didn't fuse correctly, but I'm finally getting the hang of it! I'm now creating pendants that have four, five, six... and even seven layers of glass.

Lately, I've been experimenting with clear dichroic glass. I haven't worked much with this material, but the clear glass is great for fusing onto colored base glass or for creating layers. It has patterns and textures just like the dichroic glass on black, but is transparent. Therefore, when you fuse patterned clear glass on top of patterned opaque glass, you get a combo of those designs.

The trick to layering glass is to make sure each layer is even. I always start with a piece of base glass -- generally clear, black or white -- and then top it with opaque dichroics on black. However, I make sure that all of the dichros are the same thickness. This way, the next layer of glass will lay flat across. If you add a piece of say, Wissmach textured glass, which is lumpier than most other dichros, it'll be harder to get an even fuse. I like to use a dab of Krazy Glue to keep my pieces in place. The glue keeps the glass still for working purposes, but eventually burns off in the kiln.

Next, I add a few small clear pieces, choosing ones that have interesting tints and patterns. I then top it with a piece of clear base ... and then this is where the fun begins: I add a couple more layers of clear glass, again mixing up tints and patterns.

So far, seven is my record; that large blue piece that's at the top of this post is my seven-layer one. I didn't like how it turned out when I first took it from the kiln, but fell in love with it after it cooled and hardened. It reminds me of an ocean scene and I really like the color combinations.

I've found that if you pile the pieces on too high, the colors will become muddled and the glass will lose its shape. Basically, it's a bit like building a pyramid; I use more glass on the bottom and then use fewer -- and smaller -- pieces as I build up.

To heat such thick pieces, you need the larger microwave kiln. I do an initial firing for 9 minutes, then do 1 1/2-minute intervals. There's no way that these items would hold up in the small kiln; they'd probably break after about a minute of heating. Low and slow is the way to go!

I'm glad I'm paying more attention to the clear dichros because I'm going to be having my students work with colored base glass -- and I plan to show them how to fuse them with clears. I think they're really going to enjoy this lesson. I'm certainly enjoying my glass experiments.

Check out the rest of my handmade jewelry at Naomi's Designs and MayaGirl Creations.